CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Summary and Analysis Act II: Scene 1. Before HORTENSIO'S house. Chaos rules at Baptista’s house the next morning as Katherine chases Bianca, cursing at her in a fury. (Grumio; Curtis; Joseph; Nathaniel; Peter; Philip; Nicholas; Petruchio; Katherina) Freezing cold, Grumio arrives at Petruchio’s house to prepare it for his master’s arrival with Kate. They now have an insight into his actions and can appreciate the humour of his plot to ‘tame’ Katherina and ‘kill her with kindness’. Grumio and Curtis warn them of his temper. Before he even meets her, in fact, he's beginning to like her unconventional ways. Moreover the speech is highly famous, it is the climatic decision making soliloquy and it a high point of tension within the play. At the end of act 4, scene 1 in Petruchio's soliloquoy, from Taming of the Shrew, answer the 3 questions below! Petruchio bursts at him, … Kate and Petruchio's private exchange also gives us a clearer indication of what each of these characters is like. Petruchio arrives, bullying the servants, and throwing the supper they bring him back in … ‘Twas told me you were rough, and coy, and sullen, And now I find report a … Petruchio’s country house. Although in reality, he's merely concocting a story of what has just happened, placing himself in a good light, there's more truth in what he says than we may realize. He chastises Kate cruelly and rescues Bianca, wondering why he is plagued by such an unruly daughter. Petruchio announces his intent to court Kate and presents Hortensio (disguised as Litio) as a music tutor to the two women. Their father enters and tries to placate the fighting sisters. Petruchio is angry that the servants did not meet him outside and immediately begins to insult them. He is immediately distracted, though, when he sees a light at a balcony window, and sees Juliet come out into the night. Your first 30 days are free! Baptista. She insults him, and he speaks sweetly. "in possession" (122) "in immediate possession.". Seeing Baptista's easy acceptance of Litio's services, Gremio quickly advances his man, Cambio (the disguised Lucentio), as a scholar for Baptista's daughters. Whilst his motives remain largely ambiguous, he does reveal some clues in his soliloquy, where he speaks directly and openly to the audience. When he hits a servant, Katherine tells him not to be so harsh toward them. Being a big fan of language, it's no surprise that Kate's acid tongue and wit are appealing to Petruchio (he gets all hot and bothered when Kate cracks Hortensio over the head with a lute and there's a ton of sexual tension when they first meet and argue in Act 2, Scene 1). Petruchio is a gentleman who comes to Padua from Verona seeking a wife. Petruchio’s soliloquy in act four scene one revealed Petruchio’s plans on how he is going to ‘train’ Kate. Macbeth: Act 3 Scene 1. With Bianca, too, he sets aside any notion of love, entrusting his favorite daughter to the man who can offer the best dower. Scene 2. Created by . Grumio explains that he did not meet them at the park because things were not ready at home. Act 2, Scene 1 (II.i) of Shakespeare's The Test. 319 God send you joy, Petruchio! Of course, before the marriage transaction can take place, Baptista will want verification of the riches Tranio offers. His highly comic lie about how, in private Kate "hung about [his] neck" (306) but in public she's agreed she'll be "curst" (303) brings the story's key theme of public behavior and private behavior to the forefront. In it both daughters are betrothed (although not yet wed), and the primary disguises are set in place. The Taming of the Shrew. When the men return to check on Petruchio's progress, he announces the wedding will be on Sunday. As Petruchio and Baptista discuss the likelihood of Petruchio's wooing successfully, Hortensio re-enters with his lute hanging around his head, courtesy of Kate. "happy be thy speed" (138) "may it turn out well for you.". What we see, though, when the two do actually come into contact with each other, is that, despite his original intention to marry purely for the money, there is an underlying attraction between the two. The two of them 'war with words' over who can be more powerful in their relationship. joint-stool (198) a well-fitted stool made by an expert craftsman. Hamlet’s First Soliloquy Act 1 Scene 2 Analysis Repeated suggestions of decay word choice such as "rank" (1.2.138) and "gross" (1.2.138) Extended metaphor likening the world with "an unweeded garden" (1.2.139) Emphasizes Hamlet's sense of corruption Repeated use of exclamation Katherine has tied Bianca’s hands together and is trying to beat her sister because Bianca will not tell her which of the suitors she prefers. If, on the other hand, Petruchio is actually capable of loving Kate and conceives of taming her merely as a means to realize a happy marriage, then the play … Just as Petruchio and Kate become more dimensional in this scene, so too, does Baptista gain more depth. bookmarked pages associated with this title. Analysis. Claudius and Gertrude spend much of their time in Act I Scene 2 reprimanding Hamlet for his melancholy attitude and morning attire. When Hortensio enters, broken lute about his head, Petruchio remarks "it is a lusty wench! Questions about gender, relations between the sexes and the politics of women’s lives in early modern England and today shed new light on the text. King Claudius and Queen Gertrude are celebrating their wedding; however, Gertrude understands that her son, Prince Hamlet is offended by her seeming betrayal to the memory of her dead husband, the late King Hamlet. Petruchio remains undaunted in his quest for a wealthy wife, though, and vows to marry her despite her obvious objections. Kate raises her voice in protest, which leads Petruchio to make up a story about how in private Kate is coy and gentle but they have come to an agreement that "she shall be curst in company" (303). Admiringly, he looks at her, finding her even more beautiful than the first time he saw her. Petruchio describes his plan as a reign. (2.1: 121-122) Petruchio is satisfied, and reassures Baptista that he will successfully woo the feisty Katharina. It is only when she strikes Petruchio that she is able to vary his response. If not, Gremio shall have Bianca a week after Katherine is wed. Once again we see Baptista is not much different than a merchant wishing to conduct a business transaction. In this scene Petruchio meets Katherina for the first time and attempts to convince her that they should marry. PETRUCHIO. Analysing Petruchio's Language Petruchio has 22 per cent of the lines in the play, and is a catalyst for the main events. Match. After a fight with Katherina, Bianca retreats into the Minola house. Kate even goes so far as to call her father on his favoritism (31-36) and seethingly waits until she can "find occasion of revenge" (36). Whom does Petruchio address in the last two lines? Just as Kate gains more depth, Petruchio's character is also developed more in this scene. cavil (388) to object when there is little reason to do so; resort to trivial fault-finding; carp; quibble. Of course, the claim could be made that he's trying too hard to make a good impression on the men (showing he's not at all afraid of what he's getting in to), but it seems more likely that he is inwardly pleased to see Kate is a woman of high spirits. She goads him, and he offers clever replies. The rest of Petruchio's servants enter, anxious to hear about their master and his new bride. Dian (255) Diana, the virgin goddess of the moon and of hunting: identified with the Greek Artemis. After Kate delivers an elaborate speech about a woman's duty to her husband, the party-goers are left dumbfounded, and Petruchio and Kate leave the party, headed to bed. If he is nothing more than a vain, uncaring, greedy chauvinist who treats marriage as an act of domination, then the play becomes a dark comedy about the materialism and hunger for power that dictate marriages under the guise of courtly love. Analysis on Hamlet's Soliloquy in Act 2, Scene 2 Soliloquy 530-585 In Hamlet’s soliloquy in Act 2, Scene 2, Shakespeare successfully creates a dual character for Hamlet. How unusual that someone would treat her differently. But in the meantime, we must smile at the wily servant who continually ups the ante in the bidding war. Anjola_Akande4. Verona, for a while I take my leave, To see my friends in Padua, but of … Katherine, to be sure, has never met up with a man like Petruchio before. Spell. Terms in this set (11) Curtis on of the servants asked "is she so hot a shrew as reported" Grumio replied "she was" foreshadows the soon to be tamed Kate in this act. Macbeth Act 2 Scene 1 analysis. After a fight with Bianca, Katherina exchanges charged banter with Petruchio, who is trying to court her. He, too, is welcomed into the house. The writer’s main feat in this soliloquy is communicating Macbeth’s verge on insanity. SCENE II. Act 2, Scene 1 sees Macbeth expressing his inner turmoil about murdering Duncan the King. Enter PETRUCHIO and his man GRUMIO. Further, the events leading up to this point in the story set up for Macbeth’s downfall. Summary: Act II, scene i. Do you agree with Petruchio’s techniques for taming a shrew, or can you suggest a better way? © 2020 Houghton Mifflin Harcourt. Baptista agrees to the match and Petruchio exits. Bianca, a bit frightened by her sister's actions, offers … This is a nice clue – he’s going to be honest and share his plan with us.
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